A group, that of The Knights Templar, whose protagonists appear on stage with their faces covered and whose identity is deliberately unknown.
The band has just released the video clip with the song Sinuè, feat Tony Esposito, whose sounds are of African inspiration, with tribal rhythms and melodies of Neapolitan music. A hypnotic sound that drags, an impactful métissage that captures, a refrain of words like Kalimera, and Kalispera, which recall ancient Greece and nights by the sea, make the video fascinating, enigmatic and full of contradictions.
A disciplined and uniform chorality that of the Templar, where as a counterpoint there is a triumph of drums and percussions and it almost seems that you can perceive the unified murmur of
'ideals', 'thoughts' and thirst for knowledge. It is not known to whom the symbols and thoughts of the 'hooded' refer, because the effectiveness is in the essence that their music transmits.
The theme of the contrast between being and appearing, between mystery and reality, between West and East, between the natural and the supernatural, appears central in this reinterpretation of Tony Esposito's classic.
The video clip, made with the label RMR Production Srls, already available on all digital stores, takes us on a journey of historical and philosophical references, which explores the cultural roots of distant worlds, civilizations that have always contaminated each other, but at the same time diversify and oppose each other.
The fast-paced editing of images follows the progression of the rhythm of the piece, and frames the listener.
To further highlight the esoteric and mysterious connotation of the sound, the song was recorded with the hbmf audio mastering technique, to ensure that the multiple and high frequencies of the harmonics produced by the synths of Templar's music were emphasized.
EDITORIAL TEAM
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