You play in Certosa at the third edition with Samuele Telari in the Refectory of the Certosa di San Martino.
Sunday 18 September at 11.30:XNUMX in the Refectory of the Certosa di San Martino the third edition of the musical festival Suoni in Certosa! will begin, born from the collaboration between the Regional Directorate of Museums Campania and the Dissonanzen Association. The festival was conceived for the spaces rich in art and echoes of history of the Certosa and Museum of San Martino complex, which dominates the city of Naples, silently observing its slow but constant changes for centuries.
A common thread links the two concerts on the bill: both, with their due differences, practice the art of variation.
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It's no easy task to translate the music of a keyboard masterpiece like the Goldberg Variations to the accordion. This vast work is based on the thirty transformations of the opening aria, a flourishing melody rich in embellishments born from a passacaglia bass, which is the true point of reference for the variations. Telari has stated that his goal "It's not about reproducing the sounds of other instruments, but about digging deep into the score and discovering new sounds and new interpretations."
This is a rightly dialectical attitude towards a work that still has much to offer to performers and listeners, as demonstrated by the famous and controversial interpretation by Glenn Gould in 1955, repeated at the beginning of the XNUMXs.
"We are very happy to collaborate with the San Martino Museum for the third consecutive year." - declares Tommaso Rossi - This year, Suoni in Certosa! focuses on two programs featuring instruments rarely heard in concert seasons: the accordion on one hand, and the recorder and lute on the other. An unreleased accordion version of Bach's Goldberg Variations performed by Samuele Telari and the virtuosity of the medieval Istampitte performed by Alessandro De Carolis and Peppe Frana are two ways of conceiving, centuries apart, the art of variation.
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