Sorrentino's Parthenope is an extraordinary success with a takings of 2.384.850 euros in the first six days and establishes itself as the most viewed Italian film of the season. The film, already applauded in competition at the Cannes Film Festival and distributed by PiperFilm, has reached the first place in daily takings and continues its tour in the main Italian cities, offering the public the opportunity to meet the director and protagonists.
The protagonist, Celeste Dalla Porta, will be tomorrow at 19:10 pm at the Anteo in Milan, while on Friday 1st November she will meet the public in Florence, at the Cinema Portico at 16:00 pm and at the Cinema Principe at 21:00 pm, and then continue in Siena at the Cinema Alessandro VII at 18:00 pm and 18:45 pm. On Saturday 2nd November she will be in Turin: at the Cinema Nazionale at 15:45 pm, at the Cinema Romano at 18:30 pm and at the Cinema Eliseo at 21:00 pm.
Paolo Sorrentino will participate in the meetings in Rome on November 1st, at Cinema Troisi at 18:15 pm and 19:00 pm, at Cinema Adriano at 20:20 pm and at Cinema Greenwich at 21:15 pm; on Saturday November 2nd he will be at Cinema Barberini at 17:30 pm and at Cinema Lux at 18:45 pm. In Campania, on Sunday November 3rd, Sorrentino, accompanied by Peppe Lanzetta, will stop at Uci di Marcianise at 18:20 pm, at Uci di Casoria at 19:30 pm and at The Space in Naples at 23:05 pm. The tour will continue on Monday November 4th and Tuesday November 5th in Sicily (Palermo and Catania) and on November 6th-7th in Puglia (Bari, Monopoli and Lecce).
Parthenope tells the story of a woman from 1950 to the present day, tracing an intimate and profound epic that unites love, pain and freedom, with Naples as a fascinating and merciless backdrop. The film explores the carefree youth spent in Capri, the unpredictable bonds, and the multifaceted face of the city, capable of enchanting and hurting. Alongside the protagonist, Naples itself emerges as a lively and disenchanted character, which intertwines the stories of those who live there and are irremediably marked by them.
Article published on 30 October 2024 - 18:21