An outspoken and irreverent artist like UAH is shaking up the music world with his latest sonic bomb, "Nu piezzo giusto," exposing without filters the dark side of digital platforms that treat artists like mere monetary cogs.
The complaint against the digital system
UAH, with his sharp wit and outspoken lyrics, lifts the veil on a rotten music market, where digital platforms "bagged" less popular artists – "comm'a tanta pullastre" – to feed their insatiable algorithms.
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Behind the scenes of production
The track, produced by the trusted Dino Barretta and mixed at Music Factory Studio, boasts well-established collaborations such as those with guitarist Vince Carpentieri and Giusy Barone on backing vocals, with final mastering by Frank Arkwright at Abbey Road Studios in London. "Nu piezzo giusto" explodes with an enveloping groove, blending modern electro sounds and '70s funky riffs, creating an explosive cocktail that not only entertains but also sinks its teeth into the system.168
The mysterious and counter-current identity
UAH, who hides behind handcrafted masks crafted by a papier-mâché artist in Nola, represents a voice of "unleashed soul" in an era obsessed with appearances. As the artist admits, "even though it's compelling and counter-trend, capable of exposing a system that is turning musicians into so many 'carusielli' (piggy banks) for the permanent benefit of streaming platforms alone," his abstract and mature style continues to challenge norms, attracting thousands of views and confirming an increasingly powerful presence.
Comments (1)
The article is very interesting and makes you think about how digital platforms treat artists. Of course, there are many artists who are not valued as they deserve and this is a serious problem in the music world today.