A film that never ceases to make people laugh and think, a debut work that has left an indelible mark on the hearts of Italians. "Ricomincio da tre" returns to the screen in a restored version, airing tomorrow evening on Rai 3.
The appointment is at 21pm to relive the magic of a masterpiece that redefined Italian comedy and consecrated the genius of Massimo Troisi.
"Ricomincio da Tre" isn't just a film, but a true cultural phenomenon that topped the box office in 1981, running for an impressive 600 days. A resounding success for the debut film by a young director and actor who, with his unmistakable melancholic wit and his trademark drawl, portrayed a new Naples, far removed from the stereotypes of folklore and drama.
The story of a timid revolutionary
The film introduces us to the story of Gaetano, a shy and dreamy boy who lives in San Giorgio a Cremano, just outside Naples.
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His journey is punctuated by hilarious and surreal encounters, such as that with a religious fanatic, a friend who pretends to be disabled to avoid work, and above all with Marta, an emancipated and disenchanted woman who will turn his world upside down. Through Gaetano, Troisi painted a character in whom millions of people recognized themselves: a sensitive antihero, capable of mocking his own insecurities and transforming shyness into a form of peaceful resistance.
Massimo Troisi: An unrepeatable talent
The success of "Ricomincio da tre" is inextricably linked to Massimo Troisi, a well-rounded artist who was much more than an actor. Born in San Giorgio a Cremano in 1953, Troisi began his career in theater, bringing an original and scathing style of comedy to the stage, far removed from that of the television comedians of the time. With his group "La Smorfia" (along with Lello Arena and Enzo Decaro), he captivated audiences with unforgettable sketches that blended surrealism with social satire.
His cinema was the natural continuation of this vision. With films like "Sorry for the Delay," "All We Have to Do is Cry" (with Roberto Benigni), and the moving "The Postman," Troisi demonstrated a rare depth and sensitivity. His untimely death, at just 41 years old in 1994, left an irreplaceable void, but his artistic legacy lives on, confirming him as one of the most brilliant and beloved talents in Italian cinema.
"Ricomincio da tre" remains his first, and perhaps purest, declaration of love for life, friendship, and the ability to dream, even when the world seems to tell you to stop.
Comments (1)
This film is truly a masterpiece, but I feel like it's not easy for everyone to understand. Some scenes are overly complicated, and at times the message isn't clear. While Troisi is brilliant, the film has its flaws.