The New Teatro Troisi on Via Leopardi is preparing to welcome Andrea Sannino with "Semplicemente Andrè" from Wednesday, February 4th to Sunday, February 22nd (weekdays at 9:00 PM, Sundays at 6:00 PM), a concert-recital bearing the artist's direct signature. Musical direction is by Mauro Spenillo, choreography by Teresa Sannino, and the production, directed by Claudio Malfi, combines scenic rigor with emotional intimacy.
The show takes shape from a primary, almost archetypal image: the childhood home, just twenty-five square meters, but brimming with presences, voices, and dreams. "Since I couldn't bring every spectator to the place where I was born," the artist explains, "I chose the opposite: to bring that home onto the stage, transforming it into a warm, authentic, familiar living room."
This choice gives rise to a dramaturgy of memory, where the stage becomes a place of the soul and the narrative is naturally intertwined with the music. "Semplicemente Andrè" is a journey back in time, a sentimental map in which songs and words guide the viewer through the artist's inner journey. In the space directed by Pino Oliva, Sannino opens the doors to his own story and leads the audience into a Naples he has lived and breathed, one that shapes character and teaches us to believe in our dreams.
It's the story of an ordinary boy who entrusted music with the task of giving voice to what often remains silent. Through well-known songs, personal memories, smiles, and measured confessions, the artist reconstructs his personal and professional journey, from his first steps to his recognition as one of the most beloved voices on the contemporary Neapolitan scene. The result is a direct, never bombastic, dialogue that restores to the audience the value of simplicity, the dignity of dreams, and the courageous vulnerability that accompanies every authentic artistic journey.
A concert-recital in which theater and music support each other, creating a luminous and sincere experience. An invitation for those in the audience to let memories wash over them, to recognize themselves in the stories told, and to return home, at least for one evening, with the rare feeling of having shared something true.
Naples - The Theater Troisi on Via Leopardi is preparing for a 2025/2026 season that promises to be exciting, with a lineup that combines comedy, music, and reflection, and a success already written: 3.200 season ticket holders, a record number that testifies to the deep bond between the city and its theater. The presentation of the new season, held under the patronage of the Campania Region and the Municipality of Naples, transformed into a collective celebration, a moment of sharing between the audience, the artists, and the artistic director Pino Oliva, who since 2019 has passionately led the rebirth of this space. Fuorigrotta.
"Neapolitans have made the Troisi their cultural salon," declared a visibly moved Pino Oliva during the presentation hosted by the brilliant Jolanda De Rienzo. "These 3.200 season tickets aren't just a number, but a sign of a genuine connection with the public. The Troisi is a place of encounter, laughter, and emotion, where people laugh and reflect, always with all their heart." This result speaks to a thoughtful programming, capable of combining popular entertainment and quality, while keeping prices affordable: season tickets for 12 shows (plus one free) cost €170 for the gallery and €220 for the stalls, with the option of adding Biagio Izzo's show.
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Comments (3)
The description of the show is fascinating, but there are some points where more detail on how the music and narrative unfold would be helpful. I found some parts unclear.
I don't know if I understood correctly, but I think the show is a great idea for those who love Neapolitan music and the artists' personal stories. But some parts are a bit confusing.
The article is interesting, but I think there are some spelling errors, such as missing punctuation in some sentences and a few misspelled words. Furthermore, I don't quite understand the concept of the dramaturgy of memory.