The curtain falls on the 2025/2026 season of the Teatro Pubblico Campano with an event of great civic and artistic importance. On Wednesday, April 22nd, at 8:45 pm, the Teatro Italia in Acerra will host the final act of Monica Sarnelli's tour, starring in the recital "Sirens, Sciantose, Malafemmene e altre storie di donne veraci" (Sirens, Sciantose, Malafemmene and Other Stories of True Women). The show, written by Federico Vacalebre and directed by Carlo Cerciello, is a veritable anti-misogynistic manifesto that delves into the roots of Neapolitan song to expose its profoundly patriarchal essence.
Through a repertoire of nearly thirty songs, Sarnelli reinterprets centuries of Neapolitan music, where women have often been relegated to the stereotypical roles of "wife, mother, or whore." The show's stylistic hallmark is an emotional journey that draws together icons like Gilda Mignonette and Teresa De Sio, all the way to political provocation: the Neapolitan translation of Madame's "Marea" becomes "Parea," a hymn to the female orgasm. "This show moves me and makes me think thanks to Vacalebre's lyrics," the artist stated, emphasizing the importance of Cerciello's guidance in finding the right interpretation for a work that blends theater, music, and video projections.
Sarnelli isn't alone on stage: she's accompanied by actress Cinzia Cordella and the "Sirene Ensemble," an all-female quintet composed of pianist Eunice Petito and a string quartet. The meticulously crafted set, enhanced by artistic videos by Fabiana Fazio and lighting design by Andrea Iacopino, transforms the recital into a multimedia experience where tradition meets electro-swing and rap. The narrative explores the stories of female singers and singer-songwriters, mocking the inherent chauvinism of past and present verses, with virtual appearances by Enzo Gragnaniello and Peppe Lanzetta.
The Acerra performance represents a significant milestone for a production that has successfully captured the sensibilities of modern audiences on issues such as patriarchy and gender equality. "I'm confident we'll be able to reschedule in October, given the excellent press and box office response," Sarnelli concluded. With this latest performance, the Teatro Pubblico Campano reaffirms its commitment to offering a culture that isn't just entertainment, but a tool for critical analysis of our cultural and social identity.
In short
The curtain falls on the 2025/2026 season of the Teatro Pubblico Campano with an event of great civic and artistic importance.
- On Wednesday, April 22nd, at 8:45 PM, the Teatro Italia in Acerra will host the final performance of Monica Sarnelli's tour, starring…
- The show, written by Federico Vacalebre and directed by Carlo Cerciello, is a true…
- Through a repertoire of nearly thirty songs, Sarnelli reinterprets centuries of Neapolitan melody where women have often been relegated...
Key questions
What is the main point of the news?
The curtain falls on the 2025/2026 season of the Teatro Pubblico Campano with an event of great civic and artistic importance.
Why is this news relevant?
On Wednesday, April 22nd, at 8:45 PM, the Teatro Italia in Acerra will host the final performance of Monica Sarnelli's tour, starring…
Which detail helps us understand the case better?
The show, written by Federico Vacalebre and directed by Carlo Cerciello, is a true anti-misogynistic manifesto that delves into…
The show seems interesting to me but I don't know if it's all right. Sarnelli sings well but the direction is too theatrical and some parts are too long and repetitive, the texts sometimes seem forced and the Neapolitan translation of Parea doesn't convince me at all. The scenography sometimes covers the voice. I hope that the audience understands the message and that it remains open for other dates.