San Carlo Theater Ceremony

Silver Ribbons for the Major Series: Awards go to Luisa Ranieri, Carlo Verdone, and Lino Guanciale.

The Neapolitan actress will receive recognition for her performance in La Preside, the “Personality of the Year” award goes to Carlo Verdone, while a special ribbon goes to Lino Guanciale.
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The prestigious Teatro San Carlo in Naples will host the 2026 Silver Ribbon Awards ceremony on Saturday, June 6. The Italian Film Journalists (SNGCI) have announced the first awards for the sixth edition of the event, once again organized in collaboration with the Film Commission of the Campania Region.

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Among the absolute protagonists of this year's edition are Luisa Ranieri, Carlo Verdone, and Lino Guanciale, three iconic faces of contemporary Italian cinema and television.

Luisa Ranieri awarded for "The Headmistress"

Leading the list of honors is Luisa Ranieri, who will receive a Nastro d'Argento for her performance in the Rai Fiction series La Preside, created by Luca Zingaretti and directed by Luca Miniero.

The recognition goes beyond just her acting performance. The film press also recognized the actress's dedication to telling the story of Eugenia Liguori, the school principal who transformed the difficult reality of Caivano into a symbol of redemption and hope.

According to the SNGCI, Ranieri has brought to life with intensity and civic sensitivity a character who represents resistance, change, and the presence of institutions in an area long plagued by crime and marginalization. This work also involved the actress in the writing and production, contributing to the series' success.

Carlo Verdone "Person of the Year"

The “Personality of the Year” award was instead given to Carlo Verdone, protagonist and author of the series Vita da Carlo.

The award celebrates the Roman actor and director's journey into television series, culminating with the conclusion of the series produced for Paramount+, a strongly autobiographical project that over the years has won over audiences and critics thanks to its mix of irony, sincerity, and self-analysis.

Film journalists have emphasized how Verdone has successfully transferred the language of his comedy to serial production, maintaining intact that "melancholic" quality that has made him one of the most beloved authors by the Italian public.

The award takes on a special significance on the fortieth anniversary of Troppo Forte, one of the iconic films of his career, and comes in a year in which the artist also directed the film Scuola di Seduzione, confirming his ability to interpret and narrate the evolution of human and sentimental relationships.

Special Linen Pillow Ribbon

A special Nastro d'Argento was finally awarded to Lino Guanciale, recognized by the board of directors of the Film Journalists for an exceptional season that saw him starring in four successful productions.

The Abruzzese actor stood out in the third season of Il Commissario Ricciardi, based on the novels by Maurizio de Giovanni, but also in the series L'invisibile – La cattura by Matteo Messina Denaro and in Le libere donne, demonstrating extraordinary interpretative versatility.

Added to these titles is her participation in Carlo Verdone's Scuola di seduzione, which further confirmed her ability to move effortlessly from civil drama to comedy.

An edition that celebrates the quality of Italian TV series

The first awards announced by the SNGCI outline an edition of the Silver Ribbons for Major Series that will be marked by quality and artistic commitment. From the social themes addressed by La Preside to the autobiographical comedy of Verdone, to the versatility of Guanciale, the awards celebrate performers who have made a decisive contribution to the growth of Italian TV series, which is increasingly central to the national audiovisual landscape.

Editorials (1)

Interesting article, but hastily written and with many small oversights: the Teatro San Carlo, the Nastri d'Argento GrandiSerie, and the names (Luisa Ranieri, Carlo Verdone, Lino Guanciale) were mentioned, but the reasons for the award were not always clearly explained; there was a lack of context regarding productions and dates.

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