24 Grana return with 'Stadera', a preview of their new album 'Bidonville'.

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24 Grana announce the release of "Stadera," a song available digitally from September 25th, the first track from their new album, "Bidonville." The single, named after a street in the eastern suburbs of Naples, stands out for its narrative approach that blends cinematic atmospheres with a human, direct narrative.

Through this piece, the band restores poetic dignity to the stories lived on the outskirts of the city, transforming the suburbs into a metaphor for the contemporary existential condition. The music is characterized by an intense groove, with guitars that punctuate bittersweet rhythms, a melancholic and pulsating bass and drums, and a skillful use of electronics, rhodes, and synthesizers that open glimpses of luminosity in the sonic narrative.

'Stadera' thus marks the beginning of a new chapter for 24 Grana, who with 'Bidonville' present eleven new songs in their thirtieth anniversary year. The band, formed in Naples in the mid-1990s and composed of Francesco Di Bella, Armando Cotugno, Renato Minale, and Giuseppe Fontanella, continues to maintain a strong connection with Neapolitan culture, drawing inspiration from an artistic vision far removed from commercialism.

The new album promises to offer a lucid and contemporary look at the contradictions of the present, consolidating the band's place in the Italian music scene.

What to know

Key points on 'Steelyard' and 'Bidonville'

Here's a summary of the main aspects of 24 Grana's new single and album.

  • Exit date: 'Steelyard' will be available from September 25th.
  • Albums: 'Stadera' previews the album 'Bidonville', which celebrates the band's thirtieth anniversary.
  • Issues: The song deals with stories of life on the outskirts of the city, with a strong connection to Neapolitan culture.
  • Musical style: The music combines intense groove, guitars, electronics and melancholic sounds.
  • Band Composition: The 24 Grana are Francesco Di Bella, Armando Cotugno, Renato Minale and Giuseppe Fontanella.
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