Pellezzano, at the Charlot Dado theater in 'I don't see, I don't hear and I don't talk'

VFriday 2 February soliloquies and tongue twisters by Dado, the Roman comedian accompanied by a gospel choir.

On stage a common man, who says his piece without frills and useless tinsel, who focuses on common people and their lives, stories through which we laugh at weaknesses and inconsistencies. Friday 2 February (at 21 pm) at the Teatro Charlot, cultural center of Pellezzano and entertainment venue of the Irno Valley, it's Dado's turn in "Non vedo, non sento e straparlo": a show where the protagonist represents a man very similar to the 3 monkeys who like the first two do not see and do not hear but, unlike the third, talk nonsense.

Between soliloquies that are at times very fast and breathtaking and seem like tongue twisters, Dado offers a series of famous warhorses that have projected him into the pantheon of Italian comedy.

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SYNOPSIS

If the comedian, like the one played by Chaplin, intentionally slips on the banana peel to allow the audience to laugh at themselves, Dado slips on a “banana” reality so exaggerated and bizarre that he enters into a conflict of roles that makes it no longer clear whether one is laughing at the comic jokes or at reality itself.

With this show Dado goes on stage turning 50, a milestone that transforms the performance into an inevitable “balance” full of surprising and fun novelties. Starting with the daughter who goes to Ultimo's concert, passing through political correctness, the deaf-mute at the information office, the unthinkable obituary announcements.

And again: the teenage son who listens to trap, the Roman dialect that removes an “r” from words where there are two attached, a tribute to the never forgotten Roman actor Mario Brega (on the occasion of the centenary of his birth). Finally, an experiment never attempted before, namely a gospel choir at the service of comedy. Inevitable are the warhorses that have ensured that Dado, stage name of Gabriele Pellegrini, entered over the years into the hearts of the public in need of irony that always rewards him with boundless affection.

Out of subscription on February 17, in collaboration with DLive Media, the neorealist television story by Domenico Iannacone. With “Che ci faccio qui – in scena”, the journalist immerses himself in the theater of narration and transforms his investigations into an intimate space of reflection and denunciation. The stage becomes the ideal physical place to bring to light what television cannot communicate.