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The controversy continues to escalate following the triumph of "Per sempre sì" at the 2026 Sanremo Music Festival. The song, performed by Sal Da Vinci, the Italian singer-songwriter chosen to represent Italy at Eurovision, has become a source of cultural and political conflict.
The discussion was sparked by a speech by Professor Barbara Poggio, full professor at the Department of Sociology and Social Research at the University of Trento, published in Il Dolomiti.
The teacher expressed doubts about the relational model portrayed in the song, citing lines like "without you, it's worthless, there's no point in living," which she believed fueled an all-encompassing vision of love. According to Poggio, that type of emotional vocabulary, in some cases, had preceded episodes of violence, including femicide.
The academic's words divided the public: on the one hand, it sparked a debate about sentimental language in popular music; on the other, in the days following the victory, there was a sharp escalation on social media.
Sal Da Vinci has been the target of insults and offensive content, including AI-generated videos showing Mount Vesuvius erupting. These attacks, according to various online reactions, have often taken on the character of territorial prejudice, shifting the discussion far beyond music criticism.
Francesco Emilio Borrelli, MP for the Green and Left Alliance, spoke out on the matter. "Cultural debate is always legitimate, and no one is questioning academic freedom," he stated, "but linking a love song to the topic of femicide is crossing a line."
For Borrelli, "Per sempre sì" "tells of a promise of marriage, a shared life plan, a romantic and traditional love" and "there's no glorification of violence or possession in the lyrics." The MP then praised the singer's artistic career: "He has a long apprenticeship behind him, made of sacrifice, study, and determination. The success he's experiencing is well-deserved."
Borrelli finally condemned the climate that has developed online: "The insults and offensive videos that have been circulating in recent days are unacceptable. Dissent is legitimate, but when it degenerates into personal attacks or territorial prejudice, it abandons civilized dialogue."
"Gender violence is a very serious issue and must be addressed with concrete tools," she added, "not attributing responsibility to a song it doesn't have." She concluded: "Popular music conveys emotions: it can be analyzed, criticized, discussed. But it cannot become the symbolic target of tensions that belong to other levels of public debate."
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