With the recent publication of *Archeologia di un amore*, the publisher Colonnese continues to shine a light on the brilliant work of Jean-Noël Schifano, who stands out as a prominent figure in contemporary culture. Coming from a family of mixed origins, with Sicilian and Lyon roots, Schifano served as director of the Institut Français in Naples from 1992 to 1998 and was awarded the title of honorary citizen thanks to his significant contributions to the cultural scene.
Exceptional translator
As an editor and curator for Gallimard, Schifano has shaped the words of some of Italy’s most illustrious authors, translating masterpieces by Umberto Eco, Leonardo Sciascia, Alberto Savinio, Italo Svevo, Elsa Morante, Anna Maria Ortese, and Elena Ferrante. Recently, Colonnese highlighted the new translation of the classic *Cronache napoletane* and presented works such as *Il gallo di Renato Caccioppoli*, *Anna Amorosi*, *Amara*, *Gli appuntamenti di Fausta*, and the fictionalized essay *Il vento nero non vede dove va*, along with the short story *Il ramo d’oro*, in Italian for the first time.
An exciting plot
In the novel, the young archaeologist Daphne mysteriously emerges from the murky waters of Avernus, presenting herself to Giannatale as a surprising gift from Vesuvius. Her light steps manage to chase away the dust of the past and the burdens of everyday life, managing to create a sublime harmony capable of enchanting lovers. **”Schifano is a lyrical writer. And physical, in the sense that his words produce a physical effect, finding their source in nature and carnal ties. This is perhaps why his novel is so incandescent,”** reads an incisive commentary that captures the intense poetic power of his writing. Schifano's work not only celebrates a compelling narrative, but also places itself within a tradition of translations that have enriched the French literary landscape, making him an essential point of reference in the dialogue between cultures.
Article published on 8 April 2025 - 12:51
The topic of this article is very interesting, but I noticed that there are some information that are not very clear. The figure of Schifano deserves to be explored in depth and with greater clarity for the public.