Le celebrazioni per l’ anniversario delle Four Days di Napoli sono state segnate da una polemica sulla scelta del repertorio musicale eseguito dalla Carabinieri fanfare.
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During the ceremony, held in Piazza Quattro Giornate, an episode occurred that aroused various reactions. After the official moments of commemoration, characterized by solemn songs and appropriate to the historical context, the fanfare performed some pop songs, including 'But not all my life' of the Riches and Poors e 'YMCA' of the Village People.
This musical choice was strongly criticized by some participants, including the city councilor Savior Peace, who called the event “a grotesque street party” and an “uneducational act.” According to Pace, the commemoration of such a significant event should not be diminished by light and inappropriate music.
For the Carabinieri, these were two different moments: one institutional and one more playful.
The Carabinieri responded to the criticism, specifying that the musical program had been divided into two parts: a first, more formal phase, with classical pieces, and a second, lighter one, designed to involve a younger audience.
The controversy has reignited the debate on the nature of historical commemorations and how to reconcile respect for the past with the need to involve new generations.
Some experts stress the importance of maintaining the right balance between moments of reflection and more dynamic ones, while others believe that the choice of pop songs in such a solemn context was inappropriate.
The story has raised several questions: to what extent is it permissible to adapt historical celebrations to the tastes of new generations? What is the boundary between respect for tradition and the need to make events more participatory? And, finally, how can we ensure that commemorations are a moment of reflection and discussion for everyone, without diminishing the significance of the events being celebrated.
Article published on 3 October 2024 - 08:11
Pop music during a historical commemoration can be divisive, but perhaps it could be a way to engage younger audiences.